I enjoyed very much working, even briefly, with Shane on his feature Nine, which a few people have seen.
Here are a few samples of shots I had in mind.
This parachute shot is probably the first thing I did on the project. There are a few versions of it.
There was a tendancy to try several color schemes for this particular shot. It is a moment of relative
hope in a completely post-trauma world. The sepia version is probably the most succesfull; it is spectacular without losing the hauting silhouette of the parachute. It now looks like a ghost.